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Nollywood’s Call of My Life Wins Audience Award at BlackStar

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Call of My Life

Call of My Life wins the Favourite Feature Narrative Audience Award at BlackStar Film Festival, adding to the Nollywood film’s growing success

Nollywood romantic comedy Call of My Life, directed by Nigerian filmmaker Dammy Twitch, won the Favourite Feature Narrative Audience Award at the 2026 BlackStar Film Festival in Philadelphia, Pennsylvania, after screening at the festival on August 7, 2026.

Also read: Rita Edochie Vows to Face Judy Austin in Court

The award gives the Nigerian production another notable international recognition and extends an impressive year for a film that has already made a strong impression with cinema audiences at home.

BlackStar Projects, organisers of the festival, selected Call of My Life for the 2026 programme, which brought together films by Black, Brown and Indigenous filmmakers from around the world. The festival ran from August 6 to 9 in Philadelphia.

The film’s recognition came through the festival’s audience award category, placing audience response at the centre of the honour rather than the jury-led competition.

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That distinction is significant for a romantic comedy whose commercial success has been driven largely by its ability to connect with mainstream viewers.

Call of My Life follows Soluchi, played by Uzoamaka Power, a call centre agent trying to recover from heartbreak after a relationship ends.

Her circumstances take an unexpected turn when a routine work call connects her with Eli, played by Andrew Yaw Bunting.

What begins as an ordinary customer interaction gradually develops into a relationship, allowing the film to explore love, vulnerability, friendship and the possibility of starting again after disappointment.

Power also wrote the screenplay, while Blessing Uzzi produced the film under BluHouse Studios.

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The cast includes Beverly Osu, Nkem Owoh, Patience Ozokwor, Zubby Michael, Broda Shaggi and Justin UG.

For Dammy Twitch, whose background is in music-video directing, the project marked a move into feature filmmaking.

His transition to cinema came after years of working in Nigeria’s music industry, where he built a reputation for visually driven productions.

The film’s festival success follows a remarkable theatrical run in Nigeria.

Released on May 15, Call of My Life quickly became one of the year’s strongest-performing Nigerian films.

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By June, it had grossed about ₦498 million across West African cinemas and had spent four consecutive weekends as the number one film at the box office.

The film subsequently crossed the ₦600 million mark, with industry reports putting its Nigerian cinema gross at more than ₦628 million by late June. That performance made it the highest-grossing Nollywood film of 2026 at the time.

Its commercial performance was notable partly because the film arrived outside Nigeria’s traditional December blockbuster period.

Its success suggested that audiences were willing to turn out strongly for locally produced romantic stories when the production and marketing connected with them.

The BlackStar award adds another dimension to that success.

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Unlike a box-office ranking, an audience award reflects how viewers responded to the film in a festival setting, where films from different parts of the Black and Indigenous filmmaking community are presented to audiences with varied cultural backgrounds.

BlackStar Film Festival, founded in 2012, has developed into an important platform for Black, Brown and Indigenous filmmakers and artists.

Its programme extends beyond screenings to include conversations, exhibitions, filmmaker development initiatives and other cultural programmes.

The 2026 edition featured films from a broad international field, with the festival describing its programme as a celebration of visionary cinema from the global majority. Call of My Life was added to the official line-up in June.

The award therefore gives the Nigerian production visibility beyond its domestic commercial achievement.

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It also arrives at a time when Nollywood’s international profile continues to expand through film festivals, streaming platforms and increasingly competitive theatrical releases.

For the filmmakers behind Call of My Life, the Philadelphia recognition offers a useful bridge between commercial popularity and international cultural recognition.

The film has already demonstrated that a Nigerian romantic story can attract large cinema audiences.

Its BlackStar achievement now provides evidence that the same story can also resonate with viewers in an international festival environment.

The result is a particularly encouraging moment for Power, Twitch, Uzzi and the wider production team, whose film has moved from a successful Nigerian cinema release to an internationally recognised festival title within a few months.

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Also read: Rita Edochie Vows to Face Judy Austin in Court

For Nollywood, the award is another reminder that Nigerian films can travel beyond the domestic market when their stories find a connection with audiences at home and abroad.

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Entertainment

Lizzy Anjorin Questions Court Order Over Priscilla Ojo’s Son

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Nollywood actress Lizzy Anjorin has questioned the authenticity of an interim order issued by the Lagos State High Court on 2 September 2026, restraining her from publishing photographs of Priscilla Ojo’s one-year-old son, Rakeem Mkambala, and from posting editorials concerning the family on specified social media platforms.

Anjorin raised the issue during an Instagram Live session on Friday, 4 September, after Priscilla shared a copy of the court order online.

The actress argued that publicising court documents before formally serving the respondent undermines the case.

“Your case na dead on arrival. If you post court letter on any platform before serving person wey you wan go serve, that court case na fake court case,” Anjorin said during the live session.

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Her comments came shortly after the High Court of Lagos State granted an ex parte application brought by Priscilla, her husband, Tanzanian singer Juma Mussa Mkambala, and their son, Rakeem.

Justice Yetunde Adesanya issued the interim order in Suit No. LD/ADR/6646/2026.

The order restrains Anjorin, as well as people acting under her authority, from publishing, posting, circulating, uploading or broadcasting photographs of Rakeem on specified social media platforms, including Instagram, Facebook, WhatsApp and TikTok.

The court also directed Anjorin to cease publishing or broadcasting editorials concerning the applicants on the platforms covered by the order.

An ex parte order is made at an interim stage without the respondent being heard. The order is therefore not a final determination of the dispute and remains subject to further proceedings.

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Priscilla shared the certified copy of the order on her Instagram Story on Friday, bringing the legal development into public view.

Anjorin’s reaction centres on the timing and manner in which the court documents were publicised. Her assertion that such publication makes a case “fake” is her own claim and is not a finding contained in the court order.

The development marks another chapter in the prolonged public dispute between Anjorin and Priscilla’s family, particularly Priscilla’s mother, actress Iyabo Ojo.

The disagreement has played out largely on social media and has previously resulted in legal action, including a ₦1 billion defamation suit filed by Iyabo Ojo against Anjorin.

In recent weeks, the dispute has also drawn Priscilla and her young son into the controversy, following public comments by Anjorin concerning the family.

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BBNaija Kess Says Big Brother Makes Life Harder

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Kesiena Tony Adjekpovu, popularly known as Kess, has said that participating in Big Brother Naija can make life harder, offering a candid reflection on the challenges that may come with the reality television experience.

The former Big Brother Naija housemate made the comment in a statement shared on social media, where he suggested that winning or simply taking part in the reality show does not necessarily make life easier after leaving the house.

“Big Brother makes your life harder,” Kess said.

The remark has drawn attention because life after reality television can bring a different set of expectations, particularly as former housemates adjust to increased public attention and the pressure that can accompany visibility.

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Kess was a housemate on the seventh season of Big Brother Naija, which aired in 2022. He entered the show as a businessman and was among the contestants who competed for the season’s grand prize.

His time on the programme also placed him in the public eye, giving viewers an opportunity to follow his personality and relationships inside the house.

Kess’s latest comment offers a more reflective view of the reality TV platform, suggesting that the experience does not end when a contestant leaves the house.

However, he did not provide further details in the available post explaining which specific aspects of life after Big Brother he was referring to.

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Damilola Oni Suffers Backlash at Mama Deola Movie Premiere

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Damilola Oni

Nigerian actress Damilola Oni has come under heavy fire across social media over her controversial outfit at the star-studded Mama Deola movie premiere (more…)

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