Entertainment
“Police Explain Teargas Use at Lekki Toll Gate During Mohbad’s Candlelit Funeral”
Lagos State Police issued a statement on Friday explaining their use of teargas to disperse a gathering at the Lekki Toll gate on September 21, a day that saw a candlelit funeral procession held in honor of the late singer Ilerioluwa Oladimeji Aloba, popularly known as Mohbad, at Victoria Island, Lagos.
In their statement, SP Benjamin Hundeyin, the police spokesman in Lagos State, emphasized that no live ammunition was discharged, and they employed crowd management strategies to handle the unruly crowd, ensuring no injuries or casualties occurred.
Hundeyin went on to address the prevalent misinformation surrounding the incident, particularly regarding the agreement made with the procession organizers. He explained that the police had an arrangement with the organizers to conclude the candlelit procession no later than 8 p.m. at Muri Okunola Park, Victoria Island. Additionally, due to heavy traffic on the Lekki-Epe Expressway, it was agreed that the Lekki Toll Gate would be off-limits.
However, after the procession concluded at Muri Okunola Park with police providing security throughout, some individuals gathered at the Lekki Toll Gate with intentions unrelated to the #justiceforMohbad initiative. This gathering violated the established agreement, prompting the police to engage the procession organizers in persuading the crowd to disperse peacefully.
Despite hours of persuasion and social media messages urging dispersal, the crowd remained defiant, and traffic on the expressway was at a standstill. Given their prior experience with such situations and the potential for chaos, the police decided to use teargas, considering it the least harmful method to disperse the crowd, following the failure of verbal and social media-based persuasion.
The Commissioner of Police in Lagos State, Mr. Idowu Owohunwa, issued a warning to individuals or groups causing disturbances, stating that they would be arrested and prosecuted to the fullest extent of the law.
The police expressed appreciation for the cooperation of the procession organizers and assured both supporters of #justiceforMohbad and Lagos residents that they would prioritize safety and security. The investigation into Mohbad’s death is ongoing, and the police called on the public to avoid creating unnecessary distractions and allow the police to conduct a conclusive and timely investigation.
Hundeyin emphasized that the police have been working closely with support groups for #justiceforMohbad and pledged to maintain this collaboration while keeping the public informed of the investigation’s progress.
Nollywood actress Lizzy Anjorin has questioned the authenticity of an interim order issued by the Lagos State High Court on 2 September 2026, restraining her from publishing photographs of Priscilla Ojo’s one-year-old son, Rakeem Mkambala, and from posting editorials concerning the family on specified social media platforms.
Anjorin raised the issue during an Instagram Live session on Friday, 4 September, after Priscilla shared a copy of the court order online.
The actress argued that publicising court documents before formally serving the respondent undermines the case.
“Your case na dead on arrival. If you post court letter on any platform before serving person wey you wan go serve, that court case na fake court case,” Anjorin said during the live session.
Her comments came shortly after the High Court of Lagos State granted an ex parte application brought by Priscilla, her husband, Tanzanian singer Juma Mussa Mkambala, and their son, Rakeem.
Justice Yetunde Adesanya issued the interim order in Suit No. LD/ADR/6646/2026.
The order restrains Anjorin, as well as people acting under her authority, from publishing, posting, circulating, uploading or broadcasting photographs of Rakeem on specified social media platforms, including Instagram, Facebook, WhatsApp and TikTok.
The court also directed Anjorin to cease publishing or broadcasting editorials concerning the applicants on the platforms covered by the order.
An ex parte order is made at an interim stage without the respondent being heard. The order is therefore not a final determination of the dispute and remains subject to further proceedings.
Priscilla shared the certified copy of the order on her Instagram Story on Friday, bringing the legal development into public view.
Anjorin’s reaction centres on the timing and manner in which the court documents were publicised. Her assertion that such publication makes a case “fake” is her own claim and is not a finding contained in the court order.
The development marks another chapter in the prolonged public dispute between Anjorin and Priscilla’s family, particularly Priscilla’s mother, actress Iyabo Ojo.
The disagreement has played out largely on social media and has previously resulted in legal action, including a ₦1 billion defamation suit filed by Iyabo Ojo against Anjorin.
In recent weeks, the dispute has also drawn Priscilla and her young son into the controversy, following public comments by Anjorin concerning the family.
Kesiena Tony Adjekpovu, popularly known as Kess, has said that participating in Big Brother Naija can make life harder, offering a candid reflection on the challenges that may come with the reality television experience.
The former Big Brother Naija housemate made the comment in a statement shared on social media, where he suggested that winning or simply taking part in the reality show does not necessarily make life easier after leaving the house.
“Big Brother makes your life harder,” Kess said.
The remark has drawn attention because life after reality television can bring a different set of expectations, particularly as former housemates adjust to increased public attention and the pressure that can accompany visibility.
Kess was a housemate on the seventh season of Big Brother Naija, which aired in 2022. He entered the show as a businessman and was among the contestants who competed for the season’s grand prize.
His time on the programme also placed him in the public eye, giving viewers an opportunity to follow his personality and relationships inside the house.
Kess’s latest comment offers a more reflective view of the reality TV platform, suggesting that the experience does not end when a contestant leaves the house.
However, he did not provide further details in the available post explaining which specific aspects of life after Big Brother he was referring to.
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