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Reminisce Says Rap Is About Skill, Not Streams or Wealth

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rap is about skill

Reminisce says respect in hip-hop comes from skill, not money or streams, citing Kendrick Lamar’s win over Drake as proof that rap values talent over fame

During a recent episode of the On The Record podcast, the ‘Local Rappers’ star explained that the essence of hip-hop remains deeply rooted in lyrical ability, not commercial success.

Also read: Toyin Abraham reveals reason behind first marriage failure

Rap is about skill, not wealth or popularity, veteran Nigerian rapper Reminisce has declared.

He appeared alongside fellow rap heavyweight Vector to address the growing debates about who reigns supreme in Nigerian hip-hop.

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Their conversation was sparked in part by the ongoing rivalry between rising stars Odumodublvck and Blaqbonez.

Reminisce was clear in his stance. “Hip-hop is the only genre that doesn’t respect numbers or money,” he said.

“No matter how much money you make as a rapper, you can’t buy it. That’s one thing I love about hip-hop. You have to earn it.”

Hip-hop doesn’t respect numbers or money. You can’t buy it—you have to earn it.

He cited the recent lyrical clash between Kendrick Lamar and Drake as a global example of how the rap community prioritises raw skill.

While Drake may lead in streaming numbers and commercial influence, Lamar’s bars and delivery won him acclaim.

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“If you look at the margin between Drake and Lamar in terms of commercial \[success], it’s very wide,” Reminisce added. “But because it’s about skill set, which is the primary thing in hip-hop, Lamar won.”

His remarks serve as a reminder of the culture’s foundation—talent, lyricism, and authenticity over numbers and spectacle.

Also read:Ayra Starr joins Hollywood’s ‘Children of Blood and Bone’

In a genre where legacy is built on bars, not bank accounts, Reminisce’s words ring true for both fans and aspiring rappers.

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Entertainment

Lizzy Anjorin Questions Court Order Over Priscilla Ojo’s Son

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Nollywood actress Lizzy Anjorin has questioned the authenticity of an interim order issued by the Lagos State High Court on 2 September 2026, restraining her from publishing photographs of Priscilla Ojo’s one-year-old son, Rakeem Mkambala, and from posting editorials concerning the family on specified social media platforms.

Anjorin raised the issue during an Instagram Live session on Friday, 4 September, after Priscilla shared a copy of the court order online.

The actress argued that publicising court documents before formally serving the respondent undermines the case.

“Your case na dead on arrival. If you post court letter on any platform before serving person wey you wan go serve, that court case na fake court case,” Anjorin said during the live session.

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Her comments came shortly after the High Court of Lagos State granted an ex parte application brought by Priscilla, her husband, Tanzanian singer Juma Mussa Mkambala, and their son, Rakeem.

Justice Yetunde Adesanya issued the interim order in Suit No. LD/ADR/6646/2026.

The order restrains Anjorin, as well as people acting under her authority, from publishing, posting, circulating, uploading or broadcasting photographs of Rakeem on specified social media platforms, including Instagram, Facebook, WhatsApp and TikTok.

The court also directed Anjorin to cease publishing or broadcasting editorials concerning the applicants on the platforms covered by the order.

An ex parte order is made at an interim stage without the respondent being heard. The order is therefore not a final determination of the dispute and remains subject to further proceedings.

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Priscilla shared the certified copy of the order on her Instagram Story on Friday, bringing the legal development into public view.

Anjorin’s reaction centres on the timing and manner in which the court documents were publicised. Her assertion that such publication makes a case “fake” is her own claim and is not a finding contained in the court order.

The development marks another chapter in the prolonged public dispute between Anjorin and Priscilla’s family, particularly Priscilla’s mother, actress Iyabo Ojo.

The disagreement has played out largely on social media and has previously resulted in legal action, including a ₦1 billion defamation suit filed by Iyabo Ojo against Anjorin.

In recent weeks, the dispute has also drawn Priscilla and her young son into the controversy, following public comments by Anjorin concerning the family.

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BBNaija Kess Says Big Brother Makes Life Harder

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Kesiena Tony Adjekpovu, popularly known as Kess, has said that participating in Big Brother Naija can make life harder, offering a candid reflection on the challenges that may come with the reality television experience.

The former Big Brother Naija housemate made the comment in a statement shared on social media, where he suggested that winning or simply taking part in the reality show does not necessarily make life easier after leaving the house.

“Big Brother makes your life harder,” Kess said.

The remark has drawn attention because life after reality television can bring a different set of expectations, particularly as former housemates adjust to increased public attention and the pressure that can accompany visibility.

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Kess was a housemate on the seventh season of Big Brother Naija, which aired in 2022. He entered the show as a businessman and was among the contestants who competed for the season’s grand prize.

His time on the programme also placed him in the public eye, giving viewers an opportunity to follow his personality and relationships inside the house.

Kess’s latest comment offers a more reflective view of the reality TV platform, suggesting that the experience does not end when a contestant leaves the house.

However, he did not provide further details in the available post explaining which specific aspects of life after Big Brother he was referring to.

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Damilola Oni Suffers Backlash at Mama Deola Movie Premiere

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Damilola Oni

Nigerian actress Damilola Oni has come under heavy fire across social media over her controversial outfit at the star-studded Mama Deola movie premiere (more…)

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