Connect with us

Entertainment

“The Word”: faith tested, promises fulfilled – a review

Published

on

Seun Afolabi’s “The Word” delves into the trials of faith, focusing on Isabelle, a Christian wife grappling with infertility. The film explores the delicate balance between divine promise and human impatience, set against a backdrop of societal pressures and personal doubt

 

Director: Seun ‘Storyteller’ Afolabi
Release Date: March 25, 2025
Genre: Religion
Cast: BamBam Adenibuyan, Chike Daniels, Oyin Dorcas, Liz Charleson, Imaobong Udoh, Henrietta Ibekwe, George Wisdom, Ella Patrick

 

Plot & Performance

Advertisement

BamBam Adenibuyan delivers a compelling performance as Isabelle, capturing the emotional turmoil of a woman yearning for motherhood. Her portrayal of unwavering faith amidst relentless mockery and marital strain is commendable. Adenibuyan effectively conveys Isabelle’s quiet strength and unwavering commitment to her beliefs, even when tested to her limits.

Chike Daniels, as Christian, Isabelle’s husband, skillfully portrays the conflicted husband torn between familial pressure and love. His descent into doubt and infidelity, followed by remorse, is convincingly executed. Daniels showcases the human fallibility that challenges even the strongest faith.

Oyin Dorcas, as Kate, injects a palpable tension into the narrative. Her portrayal of a desperate woman willing to exploit a vulnerable marriage is both captivating and unsettling. Liz Charleson, playing ChiChi, provides a much-needed counterpoint, offering unwavering support and a fiery defense of her friend. Her performance is a highlight, adding both heart and humor to the film.

Ella Patrick, Henrietta Ibekwe, and Imaobong Udoh round out the cast with solid performances, each contributing to the film’s exploration of societal pressures and interpersonal conflicts. Ibekwe, in particular, delivers a memorable portrayal of a demanding and emotionally abusive mother-in-law.

Analysis

Advertisement

“The Word” primarily succeeds through its strong character performances and compelling narrative. The film effectively portrays the emotional and spiritual struggles of its protagonists, drawing viewers into their world and prompting reflection on themes of faith, patience, and forgiveness.

While the acting shines, the film’s technical aspects, including cinematography, sound design, location, and budget, are less impactful. They serve the story adequately but don’t elevate it to a visually or aurally memorable experience. The film’s strength lies in its narrative and the actors’ ability to bring it to life.

Resolution

The film’s resolution, while dramatic, reinforces its central message: divine promises are fulfilled in God’s time, not ours. Isabelle’s eventual triumph serves as a testament to the power of faith and the importance of unwavering belief.

Overall

Advertisement

“The Word” is a commendable religious drama that effectively explores themes of faith, patience, and forgiveness. While its technical aspects may not be groundbreaking, the strong performances and compelling narrative make it a worthwhile watch for those interested in stories of spiritual resilience and the power of belief. The film successfully highlights the Christian perspective on faith and the importance of adhering to “the word” even in the face of adversity.

Continue Reading
Advertisement
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

Entertainment

Lizzy Anjorin Questions Court Order Over Priscilla Ojo’s Son

Published

on

Nollywood actress Lizzy Anjorin has questioned the authenticity of an interim order issued by the Lagos State High Court on 2 September 2026, restraining her from publishing photographs of Priscilla Ojo’s one-year-old son, Rakeem Mkambala, and from posting editorials concerning the family on specified social media platforms.

Anjorin raised the issue during an Instagram Live session on Friday, 4 September, after Priscilla shared a copy of the court order online.

The actress argued that publicising court documents before formally serving the respondent undermines the case.

“Your case na dead on arrival. If you post court letter on any platform before serving person wey you wan go serve, that court case na fake court case,” Anjorin said during the live session.

Advertisement

Her comments came shortly after the High Court of Lagos State granted an ex parte application brought by Priscilla, her husband, Tanzanian singer Juma Mussa Mkambala, and their son, Rakeem.

Justice Yetunde Adesanya issued the interim order in Suit No. LD/ADR/6646/2026.

The order restrains Anjorin, as well as people acting under her authority, from publishing, posting, circulating, uploading or broadcasting photographs of Rakeem on specified social media platforms, including Instagram, Facebook, WhatsApp and TikTok.

The court also directed Anjorin to cease publishing or broadcasting editorials concerning the applicants on the platforms covered by the order.

An ex parte order is made at an interim stage without the respondent being heard. The order is therefore not a final determination of the dispute and remains subject to further proceedings.

Advertisement

Priscilla shared the certified copy of the order on her Instagram Story on Friday, bringing the legal development into public view.

Anjorin’s reaction centres on the timing and manner in which the court documents were publicised. Her assertion that such publication makes a case “fake” is her own claim and is not a finding contained in the court order.

The development marks another chapter in the prolonged public dispute between Anjorin and Priscilla’s family, particularly Priscilla’s mother, actress Iyabo Ojo.

The disagreement has played out largely on social media and has previously resulted in legal action, including a ₦1 billion defamation suit filed by Iyabo Ojo against Anjorin.

In recent weeks, the dispute has also drawn Priscilla and her young son into the controversy, following public comments by Anjorin concerning the family.

Advertisement

Continue Reading

Entertainment

BBNaija Kess Says Big Brother Makes Life Harder

Published

on

Kesiena Tony Adjekpovu, popularly known as Kess, has said that participating in Big Brother Naija can make life harder, offering a candid reflection on the challenges that may come with the reality television experience.

The former Big Brother Naija housemate made the comment in a statement shared on social media, where he suggested that winning or simply taking part in the reality show does not necessarily make life easier after leaving the house.

“Big Brother makes your life harder,” Kess said.

The remark has drawn attention because life after reality television can bring a different set of expectations, particularly as former housemates adjust to increased public attention and the pressure that can accompany visibility.

Advertisement

Kess was a housemate on the seventh season of Big Brother Naija, which aired in 2022. He entered the show as a businessman and was among the contestants who competed for the season’s grand prize.

His time on the programme also placed him in the public eye, giving viewers an opportunity to follow his personality and relationships inside the house.

Kess’s latest comment offers a more reflective view of the reality TV platform, suggesting that the experience does not end when a contestant leaves the house.

However, he did not provide further details in the available post explaining which specific aspects of life after Big Brother he was referring to.

Advertisement
Continue Reading

Celebrity news

Damilola Oni Suffers Backlash at Mama Deola Movie Premiere

Published

on

Damilola Oni

Nigerian actress Damilola Oni has come under heavy fire across social media over her controversial outfit at the star-studded Mama Deola movie premiere (more…)

Continue Reading

Trending