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Tunde Kelani Cordelia earns praise as bold cultural film

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Tunde Kelani Cordelia

Tunde Kelani Cordelia celebrates culture, literature, and resilience as the veteran filmmaker blends African storytelling with modern cinema

Tunde Kelani Cordelia is the latest cinematic offering from the celebrated Nigerian filmmaker, marking another milestone in his legendary career.

Also readTunde Kelani’s ‘Cordelia’ Marks Bold Return with Gripping Political Drama

Fondly called TK, Kelani described the project as the culmination of over three years of resilience, creativity, and unwavering collaboration.

The film, adapted from a novel by renowned playwright Professor Femi Osofisan, explores silence, truth, power, and survival in the aftermath of historical events, told through the eyes of ordinary people.

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Kelani emphasized that Cordelia is not just a film but a journey—one that celebrates the power of literature and cinema to preserve culture.

“African literature plays a pivotal role in cinema because it reflects identity, preserves oral traditions, and strengthens our cultural heritage,” he explained.

The veteran cinematographer, producer, and director highlighted the essentials of filmmaking, noting that strong technical grounding and storytelling rooted in literature remain vital. For him, society itself provides the richest stories.

“I am a product of the society, and I respond to its challenges. My work mirrors the struggles of the people, blending entertainment with meaningful narratives,” Kelani said.

Despite technological advances, the filmmaker insists tradition remains central to his art. He continues to document Yoruba culture, ensuring its survival against modern influences.

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Writing and producing films in Yoruba, he noted, is both a personal passion and a cultural responsibility.

On his career-long challenges, Kelani revealed that every production brought its own demands, from funding to evolving technology. Yet he views filmmaking as a continuous exercise in problem-solving, which excites him.

At 77, Kelani attributes his youthful energy to discipline, balance, and his love for storytelling. “I thank God for good health, and I know when to slow down, rest, and revive myself before returning to work,” he said with a smile.

Also read: Tunde Kelani Reacts As Baba Wande Accuses Him Of Fraud Over Legendary Yoruba Movie, ‘Ti Oluwa Nile’

With Cordelia, Tunde Kelani Cordelia once again affirms his place as a powerful voice in African cinema one who blends tradition and innovation to tell stories that matter.

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Entertainment

Lizzy Anjorin Questions Court Order Over Priscilla Ojo’s Son

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Nollywood actress Lizzy Anjorin has questioned the authenticity of an interim order issued by the Lagos State High Court on 2 September 2026, restraining her from publishing photographs of Priscilla Ojo’s one-year-old son, Rakeem Mkambala, and from posting editorials concerning the family on specified social media platforms.

Anjorin raised the issue during an Instagram Live session on Friday, 4 September, after Priscilla shared a copy of the court order online.

The actress argued that publicising court documents before formally serving the respondent undermines the case.

“Your case na dead on arrival. If you post court letter on any platform before serving person wey you wan go serve, that court case na fake court case,” Anjorin said during the live session.

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Her comments came shortly after the High Court of Lagos State granted an ex parte application brought by Priscilla, her husband, Tanzanian singer Juma Mussa Mkambala, and their son, Rakeem.

Justice Yetunde Adesanya issued the interim order in Suit No. LD/ADR/6646/2026.

The order restrains Anjorin, as well as people acting under her authority, from publishing, posting, circulating, uploading or broadcasting photographs of Rakeem on specified social media platforms, including Instagram, Facebook, WhatsApp and TikTok.

The court also directed Anjorin to cease publishing or broadcasting editorials concerning the applicants on the platforms covered by the order.

An ex parte order is made at an interim stage without the respondent being heard. The order is therefore not a final determination of the dispute and remains subject to further proceedings.

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Priscilla shared the certified copy of the order on her Instagram Story on Friday, bringing the legal development into public view.

Anjorin’s reaction centres on the timing and manner in which the court documents were publicised. Her assertion that such publication makes a case “fake” is her own claim and is not a finding contained in the court order.

The development marks another chapter in the prolonged public dispute between Anjorin and Priscilla’s family, particularly Priscilla’s mother, actress Iyabo Ojo.

The disagreement has played out largely on social media and has previously resulted in legal action, including a ₦1 billion defamation suit filed by Iyabo Ojo against Anjorin.

In recent weeks, the dispute has also drawn Priscilla and her young son into the controversy, following public comments by Anjorin concerning the family.

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BBNaija Kess Says Big Brother Makes Life Harder

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Kesiena Tony Adjekpovu, popularly known as Kess, has said that participating in Big Brother Naija can make life harder, offering a candid reflection on the challenges that may come with the reality television experience.

The former Big Brother Naija housemate made the comment in a statement shared on social media, where he suggested that winning or simply taking part in the reality show does not necessarily make life easier after leaving the house.

“Big Brother makes your life harder,” Kess said.

The remark has drawn attention because life after reality television can bring a different set of expectations, particularly as former housemates adjust to increased public attention and the pressure that can accompany visibility.

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Kess was a housemate on the seventh season of Big Brother Naija, which aired in 2022. He entered the show as a businessman and was among the contestants who competed for the season’s grand prize.

His time on the programme also placed him in the public eye, giving viewers an opportunity to follow his personality and relationships inside the house.

Kess’s latest comment offers a more reflective view of the reality TV platform, suggesting that the experience does not end when a contestant leaves the house.

However, he did not provide further details in the available post explaining which specific aspects of life after Big Brother he was referring to.

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Damilola Oni Suffers Backlash at Mama Deola Movie Premiere

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Damilola Oni

Nigerian actress Damilola Oni has come under heavy fire across social media over her controversial outfit at the star-studded Mama Deola movie premiere (more…)

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