Entertainment
Jagun Jagun nearly cost me my home – Director, Tope Adebayo
The co-director of the highly successful Yoruba epic movie, Jagun Jagun, Tope Adebayo has opened up on the dedication, the grilling hours and sacrifices that went into the production of the movie. The movie’s journey to completion was not without its challenges, for the crew and the cast.
“I faced personal sacrifices during its preparation. The demanding nature of the project nearly cost me my home, as I was unable to concentrate on my family, thanks to my understanding wife. Despite these obstacles, my unwavering commitment to my craft and the support of my loved ones enabled me to overcome the hurdles and deliver a remarkable piece of work.”
Tope Adebayo’s dedication to his craft extends beyond the screen. He is passionate about showcasing Nigerian culture and storytelling to the world, and his work serves as a testament to the rich heritage and talent within Nollywood. With each project, he pushes the boundaries of Nigerian cinema, elevating it to new heights and solidifying his position as a masterful director.
Word of mouth quickly spread about Jagun Jagun, and soon, the film became a hot topic of conversation on social media platforms. Viewers praised the movie’s engaging storyline, powerful performances, and its ability to shed light on important social issues. The film’s success on Netflix was fueled by positive reviews and recommendations from satisfied viewers.
Jagun Jagun’s exceptional success on Netflix not only brought recognition to the film and its cast and crew but also paved the way for more diverse and inclusive storytelling in the world of cinema. It served as a reminder that great stories can come
Tope Adebayo Salami, a renowned Nollywood director, has established a reputation for his exceptional talent in crafting captivating and high-quality films. With his track record in the industry, it comes as no surprise that some of his latest works, Inside Life, “Agesinkole” (King of Thieves) and “Jagunjagun,” have been met with resounding success.
“Agesinkole,” currently available on Prime Video, showcases Salami’s ability to create a gripping narrative that keeps viewers on the edge of their seats. The film tells the story of a master thief who navigates the dangerous world of crime with finesse and intelligence. His meticulous attention to detail and his ability to bring out the best in his cast and crew have resulted in a film that has captivated audiences and garnered rave reviews.
However, it is Tope Adebayo Salami’s latest directorial venture, “Jagunjagun,” that has truly catapulted him into the global spotlight. This powerful film, produced by Femi Adebayo Salami, explores themes of resilience, hope, and unity.
The success of “Jagun Jagun” has been nothing short of extraordinary. The film’s availability on Netflix has granted it access to a global audience, and it has broken several records since its release. Tope Adebayo’s ability to tell stories that resonate with viewers from diverse backgrounds has garnered him accolades and admiration from both critics and fans alike.
Nollywood actress Lizzy Anjorin has questioned the authenticity of an interim order issued by the Lagos State High Court on 2 September 2026, restraining her from publishing photographs of Priscilla Ojo’s one-year-old son, Rakeem Mkambala, and from posting editorials concerning the family on specified social media platforms.
Anjorin raised the issue during an Instagram Live session on Friday, 4 September, after Priscilla shared a copy of the court order online.
The actress argued that publicising court documents before formally serving the respondent undermines the case.
“Your case na dead on arrival. If you post court letter on any platform before serving person wey you wan go serve, that court case na fake court case,” Anjorin said during the live session.
Her comments came shortly after the High Court of Lagos State granted an ex parte application brought by Priscilla, her husband, Tanzanian singer Juma Mussa Mkambala, and their son, Rakeem.
Justice Yetunde Adesanya issued the interim order in Suit No. LD/ADR/6646/2026.
The order restrains Anjorin, as well as people acting under her authority, from publishing, posting, circulating, uploading or broadcasting photographs of Rakeem on specified social media platforms, including Instagram, Facebook, WhatsApp and TikTok.
The court also directed Anjorin to cease publishing or broadcasting editorials concerning the applicants on the platforms covered by the order.
An ex parte order is made at an interim stage without the respondent being heard. The order is therefore not a final determination of the dispute and remains subject to further proceedings.
Priscilla shared the certified copy of the order on her Instagram Story on Friday, bringing the legal development into public view.
Anjorin’s reaction centres on the timing and manner in which the court documents were publicised. Her assertion that such publication makes a case “fake” is her own claim and is not a finding contained in the court order.
The development marks another chapter in the prolonged public dispute between Anjorin and Priscilla’s family, particularly Priscilla’s mother, actress Iyabo Ojo.
The disagreement has played out largely on social media and has previously resulted in legal action, including a ₦1 billion defamation suit filed by Iyabo Ojo against Anjorin.
In recent weeks, the dispute has also drawn Priscilla and her young son into the controversy, following public comments by Anjorin concerning the family.
Kesiena Tony Adjekpovu, popularly known as Kess, has said that participating in Big Brother Naija can make life harder, offering a candid reflection on the challenges that may come with the reality television experience.
The former Big Brother Naija housemate made the comment in a statement shared on social media, where he suggested that winning or simply taking part in the reality show does not necessarily make life easier after leaving the house.
“Big Brother makes your life harder,” Kess said.
The remark has drawn attention because life after reality television can bring a different set of expectations, particularly as former housemates adjust to increased public attention and the pressure that can accompany visibility.
Kess was a housemate on the seventh season of Big Brother Naija, which aired in 2022. He entered the show as a businessman and was among the contestants who competed for the season’s grand prize.
His time on the programme also placed him in the public eye, giving viewers an opportunity to follow his personality and relationships inside the house.
Kess’s latest comment offers a more reflective view of the reality TV platform, suggesting that the experience does not end when a contestant leaves the house.
However, he did not provide further details in the available post explaining which specific aspects of life after Big Brother he was referring to.
Omotunde Ogundimu Thanks Akindele After Treatment Gift
Effiong Says Film Kisses Are Work, Not Private Life
Bolaji Ogunmola Plans Retirement With 1,000 Movies
-
Nollywood3 weeks agoFilmmakers make strong case for AI in Nollywood
-
Celebrity news4 weeks agoUche Ogbodo Reveals New Look After Facial Procedure
-
Celebrity news1 week agoRita Edochie Welcomes Judy Austin’s N1bn Defamation Suit
-
Celebrity news2 weeks agoRuth Kadiri Explains Why She Kept Her Marriage Private
-
Entertainment4 weeks agoNollywood’s Call of My Life Wins Audience Award at BlackStar
-
Premiere2 weeks agoKing Kosoko Premieres in Lagos Ahead of Cinema Release
-
Celebrity news2 weeks agoRonke Oshodi Oke Reveals Funke Akindele’s Kind Gesture During Illness
-
Celebrity lifestyle4 weeks agoIyabo Ojo, Mercy Aigbe steal spotlight at Lateef, Mo Bimpe’s triplets’ thanksgiving