Entertainment
Iconic Yoruba movie ‘Ti Oluwa Ni Ile’ to shine on stage as ‘Asiyanbi: Ti Oluwa Ni Ile’
In a groundbreaking move that celebrates the rich cultural heritage of Nigerian cinema, the legendary Yoruba story ‘TI OLUWA NI ILE’, originally written by veteran actor and producer Alhaji Kareem Adepoju, popularly known as Baba Wande, is poised for a historic transformation into a stage play titled ‘ASIYANBI: TI OLUWA NI ILE’.
This momentous endeavor is made possible through the support of the international cultural organization AROBA GROOVE, signaling a new chapter in the legacy of this beloved cinematic masterpiece.
The 30 years old ‘Ti Oluwa Ni Ile’, one of Nollywood’s most-watched and top-selling films, left an indelible mark on viewers’ hearts with its compelling narrative and powerful performances. With the upcoming stage production presented by AROBA GROOVE, the timeless story is set to be reimagined and brought to life in a fresh and dynamic theatrical experience.
Penned in 1987 by Baba Wande, ‘Ti Oluwa Ni Ile’ was transformed into a cinematic gem in 1993 through collaboration with Mainframe Production, under the skilled direction of Mr. Tunde Kelani. The film intricately weaves a tale of intrigue, betrayal, and societal complexities, drawing viewers into a world where greed collides with tradition, and justice is sought through supernatural intervention.
The narrative follows the gripping saga of two individuals who conspire with a corrupt chief to illegally sell ancestral land to a petroleum company for personal gain. However, their deceit is met with fierce resistance from the community and the intervention of the oracle, embodying the land’s sacred deities.
As the true ownership of the land is revealed and consequences unfold, the chief finds himself entangled in a web of challenges that test his fate and traditional standing, leading to a climactic showdown that will determine his ultimate destiny. ‘Ti Oluwa Ni Ile’ garnered widespread acclaim, solidifying its status as a blockbuster and a cultural touchstone in Nollywood history.
Now, as ‘Asiyanbi: Ti Oluwa Ni Ile’ prepares to take center stage, Executive Producer Oladotun Taylor emphasizes the enduring relevance and resonance of the timeless story, underscoring its enduring impact on audiences across generations.
Baba Wande said: “This is a historic project. Even though I am the owner of the story, I am more than grateful to be part of this project. If I’m not mistaken, this is the first time I am witnessing a story that has been adapted to a film been re-adapted to a stage play. I give progenitors and producers kudos for their ingenuity. I am happy to be part of it in my lifetime.”
The Director of the stage play, Ropo Ewenla also expressed that he was awed with the project. “I was a bit shocked when I was first contacted. I understand creativity is limitless but this took me unaware sincerely.
“Since we have been on it, it has really been an exciting experience with the level of creativity, quality of team, cast and crew put together by the producers. I can assure Nigerians and the world that it is ‘Ti Oluwa Ni Ile’ redefined. It’s an experience everyone must witness and being the director of such a project makes me proud.”
The play will feature a talented cast of Nollywood actors, and promises to deliver a riveting and immersive experience that honors the legacy of ‘TI OLUWA NI ILE’ while pushing the boundaries of artistic expression.
AROBA GROOVE’s visionary approach to reimagining this classic tale in a new artistic form underscores their commitment to fostering creativity and cultural enrichment, setting the stage for an unforgettable theatrical journey that will captivate audiences far and wide.
Nollywood actress Lizzy Anjorin has questioned the authenticity of an interim order issued by the Lagos State High Court on 2 September 2026, restraining her from publishing photographs of Priscilla Ojo’s one-year-old son, Rakeem Mkambala, and from posting editorials concerning the family on specified social media platforms.
Anjorin raised the issue during an Instagram Live session on Friday, 4 September, after Priscilla shared a copy of the court order online.
The actress argued that publicising court documents before formally serving the respondent undermines the case.
“Your case na dead on arrival. If you post court letter on any platform before serving person wey you wan go serve, that court case na fake court case,” Anjorin said during the live session.
Her comments came shortly after the High Court of Lagos State granted an ex parte application brought by Priscilla, her husband, Tanzanian singer Juma Mussa Mkambala, and their son, Rakeem.
Justice Yetunde Adesanya issued the interim order in Suit No. LD/ADR/6646/2026.
The order restrains Anjorin, as well as people acting under her authority, from publishing, posting, circulating, uploading or broadcasting photographs of Rakeem on specified social media platforms, including Instagram, Facebook, WhatsApp and TikTok.
The court also directed Anjorin to cease publishing or broadcasting editorials concerning the applicants on the platforms covered by the order.
An ex parte order is made at an interim stage without the respondent being heard. The order is therefore not a final determination of the dispute and remains subject to further proceedings.
Priscilla shared the certified copy of the order on her Instagram Story on Friday, bringing the legal development into public view.
Anjorin’s reaction centres on the timing and manner in which the court documents were publicised. Her assertion that such publication makes a case “fake” is her own claim and is not a finding contained in the court order.
The development marks another chapter in the prolonged public dispute between Anjorin and Priscilla’s family, particularly Priscilla’s mother, actress Iyabo Ojo.
The disagreement has played out largely on social media and has previously resulted in legal action, including a ₦1 billion defamation suit filed by Iyabo Ojo against Anjorin.
In recent weeks, the dispute has also drawn Priscilla and her young son into the controversy, following public comments by Anjorin concerning the family.
Kesiena Tony Adjekpovu, popularly known as Kess, has said that participating in Big Brother Naija can make life harder, offering a candid reflection on the challenges that may come with the reality television experience.
The former Big Brother Naija housemate made the comment in a statement shared on social media, where he suggested that winning or simply taking part in the reality show does not necessarily make life easier after leaving the house.
“Big Brother makes your life harder,” Kess said.
The remark has drawn attention because life after reality television can bring a different set of expectations, particularly as former housemates adjust to increased public attention and the pressure that can accompany visibility.
Kess was a housemate on the seventh season of Big Brother Naija, which aired in 2022. He entered the show as a businessman and was among the contestants who competed for the season’s grand prize.
His time on the programme also placed him in the public eye, giving viewers an opportunity to follow his personality and relationships inside the house.
Kess’s latest comment offers a more reflective view of the reality TV platform, suggesting that the experience does not end when a contestant leaves the house.
However, he did not provide further details in the available post explaining which specific aspects of life after Big Brother he was referring to.
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