Entertainment
Kemi Filani Praises Irete the Reckoning as Engaging
Irete the Reckoning review highlights an engaging Yoruba epic praised for storytelling, acting, costumes and visuals, earning an 8/10 rating
Film critic Apegg Adeneyo has described Irete: The Reckoning as a compelling and visually engaging Yoruba epic, praising its storytelling, performances and production quality following its review published on Kemi Filani.
Also read: Nollywood Actor Lateef Adedimeji Earns Five AMVCA Nominations
The movie, directed by Segun Ogungbe, features an ensemble cast including Sola Sobowale, Odunlade Adekola, Femi Adebayo, Faithia Balogun, and Deyemi Okanlawon, among others, bringing together some of Nollywood’s most recognisable names.
Set against a backdrop of witchcraft, betrayal and love, the film explores the consequences of broken vows and supernatural interference in a kingdom’s fate.
The narrative follows a king whose decision to renege on a pact with a powerful witch sets off a chain of events that threatens the stability of his realm.
According to the review, Irete the Reckoning review stands out for its structured storytelling approach, which begins with a dramatic confrontation before transitioning into a flashback that provides deeper context to the unfolding conflict.
This narrative technique was described as effective in helping viewers understand character motivations and emotional stakes.
The review also praised the film’s costume design, particularly the use of Aso Oke and Adire fabrics to reflect royalty and wealth, noting that the visual presentation contributes significantly to the film’s authenticity.
The witches’ attire and the dark set design of the coven were highlighted as especially impactful, creating a convincing and immersive atmosphere.
Performance-wise, Omowunmi Ogungbe, who played Osunrayi, was singled out for delivering a standout performance, particularly in conveying anger and emotional depth.
The portrayal of Egbin was also commended for its subtle power and presence, even though the reviewer felt the character’s full strength was not fully explored on screen.
Veteran actress Sola Sobowale was noted for her consistent portrayal of strong female roles, while Odunlade Adekola’s warrior scenes were considered less impressive in comparison to other elements of the film.
However, the inclusion of comic relief from Broda Shaggi and Segun Ogungbe was appreciated, as it helped balance the film’s heavier themes.
Technically, the film received positive remarks for its lighting, especially in night scenes, and for its use of special effects, including a fireball sequence that, while not exceptional, was considered commendable.
Overall, the reviewer concluded that Irete: The Reckoning reflects the continued growth of Yoruba cinema in terms of storytelling, acting and production quality.
Also read: Segun Ogungbe, Wunmi Ajiboye Spark Reconciliation Rumours
The film was rated 8 out of 10, described as engaging and worth watching, even as it leaves room for further improvement in future productions.
Nollywood actress Lizzy Anjorin has questioned the authenticity of an interim order issued by the Lagos State High Court on 2 September 2026, restraining her from publishing photographs of Priscilla Ojo’s one-year-old son, Rakeem Mkambala, and from posting editorials concerning the family on specified social media platforms.
Anjorin raised the issue during an Instagram Live session on Friday, 4 September, after Priscilla shared a copy of the court order online.
The actress argued that publicising court documents before formally serving the respondent undermines the case.
“Your case na dead on arrival. If you post court letter on any platform before serving person wey you wan go serve, that court case na fake court case,” Anjorin said during the live session.
Her comments came shortly after the High Court of Lagos State granted an ex parte application brought by Priscilla, her husband, Tanzanian singer Juma Mussa Mkambala, and their son, Rakeem.
Justice Yetunde Adesanya issued the interim order in Suit No. LD/ADR/6646/2026.
The order restrains Anjorin, as well as people acting under her authority, from publishing, posting, circulating, uploading or broadcasting photographs of Rakeem on specified social media platforms, including Instagram, Facebook, WhatsApp and TikTok.
The court also directed Anjorin to cease publishing or broadcasting editorials concerning the applicants on the platforms covered by the order.
An ex parte order is made at an interim stage without the respondent being heard. The order is therefore not a final determination of the dispute and remains subject to further proceedings.
Priscilla shared the certified copy of the order on her Instagram Story on Friday, bringing the legal development into public view.
Anjorin’s reaction centres on the timing and manner in which the court documents were publicised. Her assertion that such publication makes a case “fake” is her own claim and is not a finding contained in the court order.
The development marks another chapter in the prolonged public dispute between Anjorin and Priscilla’s family, particularly Priscilla’s mother, actress Iyabo Ojo.
The disagreement has played out largely on social media and has previously resulted in legal action, including a ₦1 billion defamation suit filed by Iyabo Ojo against Anjorin.
In recent weeks, the dispute has also drawn Priscilla and her young son into the controversy, following public comments by Anjorin concerning the family.
Kesiena Tony Adjekpovu, popularly known as Kess, has said that participating in Big Brother Naija can make life harder, offering a candid reflection on the challenges that may come with the reality television experience.
The former Big Brother Naija housemate made the comment in a statement shared on social media, where he suggested that winning or simply taking part in the reality show does not necessarily make life easier after leaving the house.
“Big Brother makes your life harder,” Kess said.
The remark has drawn attention because life after reality television can bring a different set of expectations, particularly as former housemates adjust to increased public attention and the pressure that can accompany visibility.
Kess was a housemate on the seventh season of Big Brother Naija, which aired in 2022. He entered the show as a businessman and was among the contestants who competed for the season’s grand prize.
His time on the programme also placed him in the public eye, giving viewers an opportunity to follow his personality and relationships inside the house.
Kess’s latest comment offers a more reflective view of the reality TV platform, suggesting that the experience does not end when a contestant leaves the house.
However, he did not provide further details in the available post explaining which specific aspects of life after Big Brother he was referring to.
Omotola Questions Nollywood Over Missing Royalty Payments
Uche Montana’s New Look Ignites Fresh Surgery Claims
Mo Bimpe Fires Back at Critics Over Viral Video
-
Nollywood3 weeks agoFilmmakers make strong case for AI in Nollywood
-
Trailers4 weeks agoFunke Akindele Unveils Powerful Cast for New Film ‘The Four’
-
Premiere4 weeks agoFunke Akindele Reveals Release Date for ‘The Four’
-
Celebrity news3 weeks agoUche Ogbodo Reveals New Look After Facial Procedure
-
Nollywood4 weeks agoOmotola Ekeinde reveals N22m earnings from N103m film
-
Celebrity news4 weeks agoPatience Ozokwor, Nkem Owoh Recreate Classic ‘Ukwa’ Scene
-
Celebrity news4 weeks agoTemitope Osoba’s Fiancé Makes Startling Death Claim
-
Celebrity news1 week agoRuth Kadiri Explains Why She Kept Her Marriage Private