Tunde is a psychopath, who is unconsciously infatuated with the town preacher’s wife…

Sade is the holier-than-thou mummy GO’s style. Yet the most intelligent of them all…

Did you know that a storey building was burnt down for the sake of a movie about a prostitute?

If you think I’m lying? Then watch the movie here.

By Victor Ojelabi

“A Tribe Called Judah” is not your typical movie about the teachings of the Christian faith; it’s a wild ride that challenges conventional norms.

Also read: Funke Akindele’s movie “A Tribe Called Judah” breaks Nollywood records

While the storyline might seem contradictory to religious principles, the film’s engaging narrative and stellar production make it a must-watch.

Produced by the talented Funke Akindele, the movie revolves around five brothers faced with the daunting task of raising funds for their ailing mother’s kidney dialysis. Their solution? A daring plan to rob one of their sibling’s wealthy boss.

Akindele’s dedication to this project is evident, with the film boasting twists, turns, and a level of professionalism that cements her position in Africa’s thriving film industry.

The five brothers, born into a family unapologetic about their unconventional origins, embark on a heist to steal over $2 million from an upscale furniture company.

The plot thickens as their well-planned operation takes an unexpected turn when another group attempts to pull off the same daring theft.

The movie not only delivers an engaging heist story but also tackles pertinent social issues. It defends women’s rights, condemns domestic abuse, empowers single mothers, advocates against alcohol abuse, and ensures that justice is served.

While “A Tribe Called Judah” may not be an adrenaline-pumping action movie, its well-delivered messages, impactful dialogues, and excellent cast choices make it a standout production. She still found a place to tuck in the forgiven Toyo, even if it’s just a waka pass. Forgive na forgive.

The film serves as a testament to Akindele’s storytelling prowess and her ability to weave together diverse themes seamlessly.

One of the movie’s strengths lies in its relatability, offering several takeaways for the audience. Whether it’s defending marginalized groups or promoting social consciousness, the film strikes a balance between entertainment and meaningful commentary.

However, one may still need to investigate the type of pistols used in the movie as they only seem to run out bullets as the director needed and how a direct shot through the right side of the back goes straight through the heart to kill someone.

Akindele’s latest work, having grossed over N1 billion at the box office, marks a historic achievement in African cinema.

“A Tribe Called Judah” is more than just a heist movie; it’s a captivating exploration of family dynamics and societal challenges, making it a worthy addition to your must-watch list.

You know Hollywood, you’ve at least heard of Bollywood, but do you know … Nollywood? That’s Nigeria’s film industry, which is booming enough to give its cinema a catchy name with some cultural caché. Netflix is even getting in on the action with The Black Book, now streaming on their platform.

THE BLACK BOOK: STREAM IT OR SKIP IT?

The Gist: Corruption is running rampant in contemporary Nigeria within the world of The Black Book, so much so that the police can just openly kill a young man on a beach and expect no consequences for it. But they don’t know what they’ve gotten themselves into this time because bereaved father Paul Edima (Richard Mofe-Damijo) is far more than just the pacifistic deacon that he appears. Paul has a checkered past in the country’s military that he’s tried to bury even in his own mind, but the soldier in him re-emerges to take justice into his own hands. Enmeshing himself once more in the web of violence and corruption is not something he takes on alone, however. His journey nack into the underworld that he once inhabited requires engaging with some old allies as well as a surprising new one: a crusading journalist intent on using the press to expose the country’s bad actors.

What Movies Will It Remind You Of?: The Nigerian hybrid of Taken and Spotlight you didn’t know you needed.

Performance Worth Watching: The leads fighting for justice in their own way are good, but it’s Shaffy Bello as Big Daddy who proves the real MVP of The Black Book. She (yes, you read that pronoun right) is a force of nature in her capacity as a high-powered enforcer.

Memorable Dialogue: “The past must die to truly serve the future.” A line so nice they say it twice, once at the beginning without context and again at the end when it means something very different.

Sex and Skin: The Black Book stays focused on the action in the streets, not between the sheets.

Our Take: There’s plenty to admire in co-writer/director Editi Effiong’s dramatic thriller, but there’s little that really inspires a viewer to really lean forward in their seats. It’s always pitched between two very different ways a movie can be without fully committing to either. For example, it’s partially a character study of Paul’s final reckoning with the past, but it’s also somewhat allegorical for the Nigerian nation on the whole. Technically sound filmmaking can only go so far within a work that doesn’t really have a strong sense of what it wants to be. It can’t help but be a bit deflating to watch the big final scenes and know that they could have been a real wallop with a full film’s worth of momentum behind them.

Our Call: SKIP IT. The Black Book is not nearly bloody nor brooding enough. There are interesting components in this Nigerian thriller, but without a stronger sense of cohesion between plot and style, it feels instantly forgettable.

Marshall Shaffer is a New York-based freelance film journalist. In addition to Decider, his work has also appeared on Slashfilm, Slant, The Playlist and many other outlets. Some day soon, everyone will realize how right he is about Spring Breakers.

Source: decider.com