Entertainment
Mohbad: Lawmaker vows to secure compensation, royalties for late singer
The House of Representatives assured on Wednesday that it would ensure the late Ilerioluwa Aloba, popularly known as Mohbad, receives proper compensation and royalties for his music.
This assurance came following a motion of urgent public importance moved earlier by Rep Babajimi Benson (APC-Lagos) to secure the royalties of Mohbad’s songs.
Rep Olumide Osoba (APC-Ogun), Chairman of the House Committee on Justice, made this commitment during an interactive session on the rights and royalties related to Mohbad’s music.
Hon. Osoba emphasised the significance of securing compensation and royalties, acknowledging that these payments are essential sources of income for musicians.
He stated that such measures would enable artists to sustain their careers, create new music, and build a future within the industry.
He also pointed out that the current system often falls short in adequately protecting and providing for young musicians concerning their royalty rights.
Many emerging artists face challenges when negotiating fair royalty agreements, particularly when dealing with major record labels, which often wield significant power and can impose unfavourable terms, resulting in artists receiving only a fraction of the royalties they deserve.
“It is crucial to recognise that young musicians are often not well-informed about their rights when entering into contracts,” he said.
This knowledge gap places them at a disadvantage, as they may not fully grasp the complex legal intricacies surrounding royalty rights.
He further noted that the responsibility rests on society to bridge the knowledge gap and ensure that young musicians are aware of their rights while having access to legal support that safeguards their interests.
According to him, to address these issues, it is vital to work towards implementing stronger regulations and support systems within the industry.
This includes advocating for more transparent and standardised contracts for all artists, irrespective of their age or experience, to level the playing field and prevent the exploitation of young talent.
He emphasised that efforts should be made to provide accessible legal advice and assistance to young musicians through organisations, unions, or educational programmes.
Equipping them with the knowledge and resources needed to understand and negotiate contracts will empower them to protect their rights and secure fair compensation for their creative contributions.
“Additionally, there is a need to adapt the music industry to the digital age.
While digital streaming platforms have revolutionised music consumption and distribution, young musicians often struggle to earn a substantial income due to outdated royalty structures.”
“Advocating for revised royalty models that accurately reflect the value of music in the streaming era is essential,” he said.
The committee is committed to this responsibility, adding that they have requested relevant information regarding the circumstances of his death and the measures in place to secure his royalties and other benefits, with a deadline of next week to expedite their action on this assignment.
He mentioned that the committee also welcomes any other information or challenges hindering the implementation of the rights and royalties of musicians.
The committee will ensure that the rights of young musicians regarding royalties are of paramount importance.
He stressed that collective efforts should be made to guarantee that they receive fair compensation for their hard work and artistic contributions.
According to him, by promoting transparency, education, and change within the industry, a future can be created where young musicians have a fair chance to thrive and build sustainable careers.
It would be recalled that Mohbad passed away on September 12 under mysterious circumstances.
He said this underscored the urgency of addressing issues related to the rights and protection of royalties for young and upcoming artists in our country.
Nollywood actress Lizzy Anjorin has questioned the authenticity of an interim order issued by the Lagos State High Court on 2 September 2026, restraining her from publishing photographs of Priscilla Ojo’s one-year-old son, Rakeem Mkambala, and from posting editorials concerning the family on specified social media platforms.
Anjorin raised the issue during an Instagram Live session on Friday, 4 September, after Priscilla shared a copy of the court order online.
The actress argued that publicising court documents before formally serving the respondent undermines the case.
“Your case na dead on arrival. If you post court letter on any platform before serving person wey you wan go serve, that court case na fake court case,” Anjorin said during the live session.
Her comments came shortly after the High Court of Lagos State granted an ex parte application brought by Priscilla, her husband, Tanzanian singer Juma Mussa Mkambala, and their son, Rakeem.
Justice Yetunde Adesanya issued the interim order in Suit No. LD/ADR/6646/2026.
The order restrains Anjorin, as well as people acting under her authority, from publishing, posting, circulating, uploading or broadcasting photographs of Rakeem on specified social media platforms, including Instagram, Facebook, WhatsApp and TikTok.
The court also directed Anjorin to cease publishing or broadcasting editorials concerning the applicants on the platforms covered by the order.
An ex parte order is made at an interim stage without the respondent being heard. The order is therefore not a final determination of the dispute and remains subject to further proceedings.
Priscilla shared the certified copy of the order on her Instagram Story on Friday, bringing the legal development into public view.
Anjorin’s reaction centres on the timing and manner in which the court documents were publicised. Her assertion that such publication makes a case “fake” is her own claim and is not a finding contained in the court order.
The development marks another chapter in the prolonged public dispute between Anjorin and Priscilla’s family, particularly Priscilla’s mother, actress Iyabo Ojo.
The disagreement has played out largely on social media and has previously resulted in legal action, including a ₦1 billion defamation suit filed by Iyabo Ojo against Anjorin.
In recent weeks, the dispute has also drawn Priscilla and her young son into the controversy, following public comments by Anjorin concerning the family.
Kesiena Tony Adjekpovu, popularly known as Kess, has said that participating in Big Brother Naija can make life harder, offering a candid reflection on the challenges that may come with the reality television experience.
The former Big Brother Naija housemate made the comment in a statement shared on social media, where he suggested that winning or simply taking part in the reality show does not necessarily make life easier after leaving the house.
“Big Brother makes your life harder,” Kess said.
The remark has drawn attention because life after reality television can bring a different set of expectations, particularly as former housemates adjust to increased public attention and the pressure that can accompany visibility.
Kess was a housemate on the seventh season of Big Brother Naija, which aired in 2022. He entered the show as a businessman and was among the contestants who competed for the season’s grand prize.
His time on the programme also placed him in the public eye, giving viewers an opportunity to follow his personality and relationships inside the house.
Kess’s latest comment offers a more reflective view of the reality TV platform, suggesting that the experience does not end when a contestant leaves the house.
However, he did not provide further details in the available post explaining which specific aspects of life after Big Brother he was referring to.
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